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Firefighter Anthony Martinez rates depictions of fires and firefighting scenes in movies and TV shows. He breaks down how a real back draft works in "Backdraft," starring Kurt Russell and Robert De Niro. He explains fire safety in supertall buildings as seen in "Skyscraper," starring Dwayne "The Rock" Johnson; and "The Towering Inferno," starring Steve McQueen, Paul Newman, and Faye Dunaway. He analyzes how vehicle fires are portrayed in "Crash," starring Matt Dillon, Thandiwe Newton, and Sandra Bullock. Finally, he examines the house fires in "End of Watch," starring Jake Gyllenhaal and Michael Peña; and "Ladder 49," starring John Travolta and Joaquin Phoenix.
Persons: Anthony Martinez, Tobey Maguire, Kirsten Dunst, Willem Dafoe, Pete Davidson, Bill Burr, Steve Buscemi, Kurt Russell, Robert De Niro, Dwayne, Johnson, Steve McQueen, Paul Newman, Faye Dunaway, Chuck, Larry, Adam Sandler, Kevin James, Matt Dillon, Thandiwe Newton, Sandra Bullock, Jake Gyllenhaal, Michael Peña, John Travolta, Joaquin Phoenix Organizations: Business Locations: Staten Island
PARK CITY, Utah (AP) — When writer-director Laura Chinn was a teenager in 2005, her mother moved her and her terminally ill brother to Florida. The circumstances provided the inspiration for Chinn’s directorial debut, “Suncoast,” starring Nico Parker as the teenager in question and Laura Linney as her mother. “It’s important to know that while Kristine is certainly archetypally based on Laura’s mother, while there may be some similarities here and there, I was not intentionally playing her mother,” Linney said. “It’s really a perfect song,” Chinn said,The “Suncoast” world premiere at the Sundance Film Festival last month was a teary occasion. Chinn’s own mother ran out of tissues and a stranger was right there with another to hand off.
Persons: Laura Chinn, they’d, Terri Schiavo, , Nico Parker, Laura Linney, it’s, Chinn, she’d, Schiavo, ” Chinn, Kristine, ” Linney, Parker’s Doris, Woody Harrelson, ” Parker, Thandiwe Newton, Ol Parker, , Linney, Harrelson, Parker, , Laura, he’s, don’t, , ” Este Haim, Chris Stracey, Monica Martin, Doris, She’d, Matt Berninger, Chinn’s, there’s Organizations: “ Suncoast, Hulu, Suncoast, Sundance Locations: CITY , Utah, Florida
Every year since 1993, the Italian coffee manufacturer has produced a photography calendar, featuring images from the likes of Helmut Newton, David La Chapelle and Annie Leibovitz. This year’s edition celebrates the African continent as the birthplace of coffee (widely considered to be Ethiopia). But the theme itself, for me, was so powerful,” said 33-year-old Kenyan photographer Thandiwe Muriu. Photo by Thandiwe Muriu / 2024 Lavazza CalendarFor 31-year-old South African photographer and filmmaker Aart Verrips, the Lavazza project, and its emphasis on Africa and African creatives, is a big step forward in terms of recognition. “I brought that [theme] into every kind of image [for the Lavazza calendar],” said Verrips.
Persons: Helmut Newton, David La Chapelle, Annie Leibovitz, Thandiwe, Aart Verrips, Daniel Obasi, Giuseppe e, , Thandiwe Muriu, , ” Muriu, Muriu, ” Verrips, Daniel Obasi’s, Obasi, ” Obasi, we’ve Organizations: CNN, Lavazza Locations: Ethiopia, , Africa, African, Europe, Badagry, Lagos State
CNN —Disney’s animated hit “Lilo & Stitch” is getting the live-action treatment, but a reported casting decision has set off a new conversation about colorism in Hollywood. Why some feel Nani’s skin color is relevantThe new “Lilo & Stitch” is based on an animated film and Nani is a fictional, animated character. But unlike “The Little Mermaid,” which is rooted in mythology despite receiving racist backlash over Halle Bailey’s casting in the live-action remake, “Lilo & Stitch” draws from a very real culture and people. The live-action “Lilo & Stitch” is only the latest in a long line of projects that have faced accusations of colorism. Though Connor is disappointed, she hopes the “Lilo & Stitch” remake will otherwise stay true to the original, which she loved so much growing up.
If a viewer wants to kick off his algorithms and settle into that elusive “something different” on Netflix, a welcome destination would be “ Elesin Oba : The King’s Horseman,” the last movie by the Nigerian novelist, playwright and filmmaker Biyi Bandele , who died in August. His “Half of a Yellow Sun” with Chiwetel Ejiofor and Thandiwe Newton was a successful adaptation of the Chimamanda Ngozi Adichie novel back in 2013, but “Horseman” is something else, a combination celebration of and elegy for cultural autonomy and something of a cheeky homage to African cinema. Based on the play “Death and the King’s Horseman” by Wole Soyinka (winner of the 1986 Nobel Prize in Literature), the story is based on actual events during World War II, when Nigeria was an occupied British colony. The eponymous horseman is a Yoruba chief who is about to commit ritual suicide; the people’s king has been dead a month and it is time for Elesin Oba (the lusty Odunlade Adekola ) to follow his ruler into the afterlife (lest the king be left to wander and bring ill on his people). The British, as directed by the colonial magistrate, Simon Pilkings ( Mark Elderkin ), think suicide is a profoundly bad idea and set out to save Elesin’s life, even if it means killing people in the process.
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